mercredi 22 février 2012

Indien Sari

The Indian sari is an article of clothing worn traditionally by the women in India. It consists of one large piece of cloth, rectangular in shape, and averaging in length to about six yards. The cloth is woven from cotton, then wrapped and draped about the body, to end at the feet.
The sari, which originates from India, is more than five thousand years old. India is the first place to grow cotton, therefore using it to create their cloth for the sari. The mention of the sari in the Vedas, which is the oldest existing text, shows its true historical longevity and proof of origin.
The traditional sari is more than just clothing. There was significant meaning and symbolism attached to the garment in the form of different colors or designs. The various patterns and colors of the sari depicted such information as beliefs, virtues, and the region the person came from.
There were numerous designs and symbols used on the traditional sari. The paisly and fish were used to show fertility. They also represented the abundance of food and children. These patterns were mostly seen in the coastal regions where the people survived on fish.
Designs in the form of an Elephant symbolized water, fertility, wealth and good luck. It also exemplifies the god Ganesh who is the remover of obstacles. The Conch was also a symbol of the gods and represented the bugle used in war.
The use of colors in the sari has also had specific meaning behind them. Red, used in the traditional sense is associated with the warrior and a sign of valor.
The color black was used to show sorrow or bad luck. It was probably for this reason that very few saris were made of black. In contrast, there were many saris made of blue because of the association to the working class. Farmers, weavers and manual laborers were said to have worn blue.
One historical legend surrounding the sari, involves Pandavas, a mythical character. It is said that his stunning wife Draupadi was lost to the enemy in a gambling duel. The Lord Krishna promised to protect Draupadi's virtue. The enemy tried to corrupt her virtue by unraveling her sari, but they pulled and pulled, never to find and end, thus keeping her virtue intact.
An old folktale about the sari, tells a story of a weaver who dreamt of an attractive young woman. She had silky long hair and was crying. His dream inspired him to weave a long beautiful fabric for the young woman. When his work was complete, he was happy with himself and he smiled.
The history of the Indian sari is full of tradition, pride, and innovation. It represents the culture of India and symbolizes their way of life. The many ways that it is worn says much of its versatility and durability. Today, the wearing of the sari is a representation of the civilization of those before us.
As far as I am concerned, the Sari is something that I like very much, especially when it is used for Moroccan dresses. I find it original and full of creativity and inspiration. The mixture of the colors and the way it is sewn gives to the tissue a great value.


Ikebana

 Ikebana is the Japanese expression for "the arrangement of living material in water." It is the ancient Japanese art of flower arrangement. Ikebana follows certain ancient rules that aim at achieving perfect harmony, beauty, and balance. Some describe Ikebana as sculpture with flowers. In Japan it has been practiced for fourteen hundred years. Buddhist monks in the sixth century practiced the art using pebbles, rock, and wood with plants and flowers. In Japan Ikebana was evolved and practiced exclusively by men-priests first, then warriors and noblemen. Today, of course, Ikebana is practiced by millions of women as well as men, although the great flower schools in Japan are mostly headed by men.
Ikebana is something that attracts a lot my attention since the first time I saw my mother doing this flowers arrangement. I find it simple and very original. It does not need a lot of materials in order to come up with a beautiful arrangement. I also tried to attend few years ago some sessions that were held by a Japanese women in Rabat to learn about the branches and the combinaison of the materials. This latter impressed me a lot and gave the opportunity to develop and valorise more my sense of appreciating the flowers.